
Now the “funny little clown” is actually small instead of adult-sized, and one of the dolls depicted has brown skin and straight, dark hair (the other is white with Shirley Temple ringlets).

As no part of the text has been changed (the “jackknives” for children remain intact in the train’s inventory), Santat’s challenge is to bring the engine into the 21st century visually.

Once more a train filled with toys and goodies for all those “good little boys and girls on the other side of the mountain” can only be saved by the smallest, most determined engine of them all. Thinking it can for its 90th year, an old friend receives a shiny new update.įifteen years after Loren Long’s 75th-anniversary interpretation, Caldecott winner Santat tries his hand at this work of classic children’s literature.
